When we'll see his replacement simply isn’t clear but many rumours have suggested that Capaldi would depart before the Christmas special. The actor himself even hinted the regeneration scene has already been filmed.
However, a new piece of information suggest that a new actor won't replace Capaldi pre-Christmas. Why? Because nobody's made the Thirteenth Doctor’s outfit yet.
Speaking to RadioTimes.com, Ray Holman – Doctor Who costume designer and the man who’ll help craft the Thirteenth Doctor’s look – suggested work wouldn’t start on the new Doctor's outfit until after the festive special has finished filming.
“I think they’ll need me after the Christmas show,” he said. “As soon as that’s finished in the autumn I will start talking to Chris [Chibnall, series 11 Doctor Who showrunner] – once I know who they’ve chosen to be the Doctor.”
Asked what plans he had for the new costume, Holman replied: “I know there’s a lot of speculation about who the next Doctor is, but until that person is cast there’s no point in me thinking about it.”
So, there's no new outfit designed and no casting decision made. Pretty conclusive evidence that Capaldi will be flying the Tardis until the Christmas special, right?
Perhaps not. It’s possible that the new Doctor has been cast, with the regenerated Time Lord making their first appearance in the series 10 finale and simply wearing Capaldi’s costume for the entirety of the Christmas special. There’s no reason why he needs a new outfit designed, right? It's feasible, but it’s not how previous Who regenerations have gone down before.
Read the full story at Radio Times
The BBC have released the following introduction videos...
The BBC have released the following images for Episode 11: World Enough and Time
Friendship drives the Doctor into the rashest decision of his life. Trapped on a giant spaceship, caught in the event horizon of a black hole, he witnesses the death of someone he is pledged to protect. Is there any way he can redeem his mistake?
Are events already out of control? For once, time is the Time Lord’s enemy...
Peter Capaldi on leaving Doctor Who: "I want to always be giving it my best and I don't think if I stayed on I'd be able to do that"
"I love this show, but I've never done anything where you turn up every day for ten months," says Capaldi in the new issue of Radio Times magazine. "I want to always be giving it my best and I don't think if I stayed on I'd be able to do that. I can't think of another way to say, 'This could be the end of civilisation as we know it.'"
Capaldi adds that the cyclical structure of Doctor Who means that it is not necessarily something that an actor seeking new challenges would want to work on indefinitely.
"With episodic television of any genre, the audience wants the same thing all the time," he says. "But the instinct that leads the actor is not about being in a groove."
Read the full interview with Peter Capaldi – as well as his co-star Michelle Gomez and Doctor Who showrunner Steven Moffat – in the new issue of Radio Times magazine, on sale from Tuesday in shops.
Via Radio Times
Panini UK has announced Doctor Who Adventures has gone on hiatus, effective immediately, although we’re told it may be re-launched with the arrival of a new series lead in 2018.
The company has published over 20 issues of the title, taking it over from Immediate Media. However, recent ABC sales data has indicated numbers have been disappointing and a far cry from the title’s early success.
The decline in sales in recent years has in part been attributed by some to the erratic schedule of the show in recent years.
(The Audit Bureau of Circulation twice yearly, February 2008, report gave the Doctor Who Adventures title a circulation figure of 150,763 a rise of some 44 per cent on the previous six months, making it one of the top performing titles published in the UK, and positioned it top in the children’s sector, and the 52nd top title overall from all categories).
The full statement from Panini, posted on the company website on 16th June 2017, is as follows:
We are pausing the publication of Dr Who Adventures magazine and will not be publishing regular issues in the near future. We would like to take this opportunity to thank you for your loyalty to the magazine, which we greatly appreciate and we hope that you have enjoyed the title as much as we have. Current subscribers will be contacted in due course with regards to refunds.
First published by BBC Magazines, from Issue 248, Doctor Who Adventures – whose frequency has varied throughout its shelf life since it launched in 2006 – was published under licence from BBC Worldwide by Immediate Media. The title was aimed squarely at younger Who fans with a mix of comic strips, features and text stories, supported by a range of cover mounted gifts.
After Issue 363, DWA was relaunched with a new issue 1, published by Panini edited by Jason Quinn. The lead strip was drawn by Russ Leach and written by several creators, including former Doctor Who TV series script editor Andrew Cartmel and Tommy Donbavand.
We’re sorry to see the title go. The mix of fiction – who couldn’t like a talking horse as the Doctor’s companion? – and features were great fun. Sadly, the title’s demise seemed almost inevitable when it went bi-monthly, despite the start of a new Doctor Who TV season.
Let’s hope that as hinted, Doctor Who Adventures may yet return when the show itself regenerates with a new Doctor next year.
Via DownTheTubes.Net by John Freeman
Simm will return to Doctor Who as the Master for the first time since New Year’s Day 2010, when he was responsible for the regeneration of the Tenth Doctor. This time the Master will come face-to-face with Missy, his later regeneration, and battle the Doctor during the series’ two part finale which begins next weekend.
The episodes will also feature the return of the Cybermen - including the original Mondasian Cybermen, for the first time in over 50 years - plus Bill Potts (Pearl Mackie) and Nardole (Matt Lucas) in an epic adventure that will change Doctor Who forever.
Doctor Who’s series finale begins with episode 11, World Enough and Time, at 6:45pm on Saturday 24 June on BBC One. It concludes on Saturday 1 July with episode 12, The Doctor Falls – an extended, 60 minute episode.
Friendship drives the Doctor into the rashest decision of his life.
Trapped on a giant spaceship, caught in the event horizon of a black hole, he witnesses the death of someone he is pledged to protect. Is there any way he can redeem his mistake?
Are events already out of control? For once, time is the Time Lord’s enemy...
Described by the Ninth Doctor as a "gift of the Tardis, a telepathic field that gets inside your brain — translates” in 2005 episode The End of the World, the translation circuit has existed in the series for years as a handy shortcut for explaining why all aliens and historical peoples visited by the TARDIS team appear to speak in English. As Bill notes in this week’s episode, it even lip-syncs (the first time in the series this has been acknowledged), matching people’s mouth movements to the English equivalent of whatever they’re saying in their own language.
But over the years the translation circuit has been referenced and explained in various different ways. The first mention came in 1976 episode The Masque of Mandragora, when Tom Baker’s Fourth Doctor described the translation to companion Sarah-Jane Smith (Elisabeth Sladen) as a “gift of the Time Lord” that he allowed her to share.
In more recent years, however, it’s been retconned as a circuit closely linked to both the TARDIS's telepathic field and the Doctor, with Rose Tyler (Billie Piper) no longer able to understand alien languages when the Doctor was recovering from his regeneration in 2005’s The Christmas Invasion.
But it’s never been clear exactly how the circuit works. Over the years some dialogue has remained untranslated (for example when the Second Doctor meets German and French soldiers in The War Games or the Tenth Doctor met Judoon police in 2008) as well as plenty of signs and posters, though in 2011 episode A Good Man Goes to War it was suggested there was a “lag” in the system when it came to the written word.
There have also been some languages that the TARDIS doesn’t translate, including an old Aborigine dialect in Fifth Doctor story Four to Doomsday, a complex alien language in 1980’s The Leisure Hive and incredibly ancient languages like the words of the Minotaur in 2012’s The God Complex and the language of the Beast in 2006’s The Impossible Planet. Judoonese, by contrast, is apparently too simplistic to be translated, which could also be the explanation behind why the speech of some more bestial aliens – as well as human infants and real-life animals – is left unclear to the audience.
The Doctor himself has been shown to be able to bypass the system to speak words in different languages (for example the Tenth Doctor’s catchphrase of Allons-y, the French for ‘let’s go’) due to his superior control over the system, while normal users have a slightly different response. For example, when Donna Noble (Catherine Tate) tried to speak Latin while the TARDIS was translating her words into that language, it was filtered back into her own tongue which was perceived as Celtic by the Romans.
Elsewhere, it’s also a little unclear exactly who the translation applies to in any given scene. In the same Christmas episode mentioned above, when the Doctor wakes up (see video below) Rose, the Sycorax invaders and the Earth government are all suddenly able to understand each other despite the Doctor not being aware of the situation or even who is standing outside his TARDIS, suggesting the translation is a rather passive process and not dictated by who’s actually been in the Tardis or been “given” the ability by the Doctor.
This week’s episode The Eaters of Light muddies the waters even further, with Roman soldiers and native Picts discovering that they can now understand and speak each other’s languages thanks to the presence of the Doctor, despite never having been part of the TARDIS’ telepathic field and not being anywhere near it at the time of the discovery.
So what’s the answer for all these inconsistencies and confusing moments? Well, one could be that this is a conceit for a children’s television programme that we should be taking less seriously, but an in-universe explanation often suggested by fans is that the Doctor’s old, out-of-date and battered Tardis has a slightly faulty translation system, occasionally not functioning or functioning sporadically depending on the situation and the complexity of the language it’s faced with.
It has also been suggested that the Doctor has an affinity for language beyond the translation field itself, which could explain why he’s able to communicate so easily with babies and horses while his companions (and by extension, the viewers) are unable to understand those particular languages.
For our part, we’d like to think the inconsistency is a little like the reasoning behind the Tardis’s faulty targeting system, which flings the Doctor all over space and time based on where the time machine thinks he needs to be rather than where he necessarily wants to be. Maybe in this week's episode the TARDIS thought a little communication could save the day, and perhaps at other times it sees the value of keeping other languages unclear – even if it is just to make the Doctor’s adventures that bit more challenging and dramatic.
By Huw Fullerton for Radio Times
To Doctor Who fans looking in from the outside, it probably seems as if taking charge of the show would be the best job on the planet. So they may have been surprised to learn recently that Chris Chibnall -– who becomes boss of the iconic BBC sci-fi series when Steven Moffat departs this Christmas – initially had his doubts about the role.
But regular series writer Mark Gatiss has now revealed his own misgivings about taking the top job, telling students of Oxford University that he sees it as something of a mixed blessing.
“To be honest, the job of showrunning Doctor Who I think is probably the hardest job in television,” Gatiss said when asked by an audience member at the Oxford Union debating society what he would have done to the series if he’d taken over from Moffat. “I’ve seen it up close.
“Steven was only 19 when he started,” Gatiss joked, “it’s taken a terrible toll on him.”
More seriously, Gatiss went on to explain that while he hadn’t been asked to fill Moffat’s shoes it wasn’t a job he thought he would suit anyway, detailing the immense pressure he’d seen his Sherlock co-creator under for the last few years.
“Honestly, it has an obvious huge appeal, but equally it’s just so completely all-consuming,” he said. “I act and I write and I couldn’t do both. I couldn’t do it if I did that.
“I wasn’t offered it. But it’s a sort of a… it’s such a poisoned chalice. It’s like the England managership, I imagine, knowing nothing about football. There’s so much expectation, such a weight of expectation, millions of people who think they can do it better than you.
“It’s a sort of relief not to be asked, to be honest. But if I had been in charge, I would have cancelled it immediately. Just out of spite! No, I don’t know. I would never have any huge plans.”
Still, Gatiss is excited about Chibnall’s new run on the series, explaining that he believes change and renewal have become built in to the 54-year-old series over the decades.
“I think it’s a thrilling notion to cast the Doctor and all those things that come with it, and I wish Chris all the luck in the world. It’s a very exciting time,” he said.
“It’s also difficult – you say goodbye to something, it’s always the end of a chapter. I’m very sad [current Doctor] Peter [Capaldi] is going, I’m sure Steven will find it a terrible wrench, how can you not after all these years? But equally, the freshness and the renewal, the regeneration if you will, is exactly what’s made the show what it is.
“And weirdly, I think if [First Doctor] William Hartnell had been well enough Doctor Who might have run for five years and then come off, which is a strange thought isn’t it? That actually maybe somehow in its DNA there is this perpetual renewal.
“I’m very excited about watching it without knowing anything at all.”
By Huw Fullerton for the Radio Times